“后摇（post-rock）”这个词就是为他们的音乐而发明的，拽吧。

"Despite a relatively small recorded output and little media recognition, Bark Psychosis was one of the most innovative artists of their era. From rather uninspired origins as a teenaged Napalm Death cover band, the British group evolved by leaps and bounds, moving from moody, lush pop to ambient soundscapes to taut, atmospheric experimental music; their work was so revolutionary, and so impossible to define, that noted critic Simon Reynolds even found it necessary to invent a new sub-genre — "post-rock" — simply to categorize their vision."

Bark Psychosis-Codename: Dustsucker(2004)

http://link-protector.com/124010/

Game Over（1997）---精选集

http://link-protector.com/124011/

Independancy(1994)--精选集

http://link-protector.com/124012/

hex（1994）

A masterpiece of unrivalled beauty and complexity, Bark Psychosis' Hex channels the experimentation of the group's prior singles into a more controlled setting; a series of atmospheric set pieces, the songs find a common ground between accepted musical formulas and avant innovation — at first glance, tracks like "Big Shot" and "Eyes & Smiles" appear tightly structured, yet they avoid the dynamics of conventional songcraft like choruses and solos with remarkable dexterity. Similarly, both "The Loom" and "Fingerspit" are too melodic and finely honed to pass as mere ambient soundscapes, leaving the record best ascribed to a force not unlike alchemy — Hex begins with base musical materials, but transforms them into something mysterious, haunting, and breathtakingly visionary.

http://link-protector.com/124013/